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Showing 1 - 8 of 8 matches in All Departments
To millions of faithful television viewers, Gary Burghoff will always be Walter "Radar" O'Reilly, the lovable telepathic assistant to Colonel Potter on M*A*S*H. But the man behind the bespectacled TV Land icon is a true Renaissance man. He's a classically trained stage actor, a jazz musician, an environmentalist, a poet, a songwriter, an inventor, a wildlife artist, and now - a writer. In this intensely personal memoir, the author takes you on his journey from his family's home in Wisconsin to his successful carreer on the New York stage, from the Hollywood film version of M*A*S*H to the hit television show, from the challenges of married life to the rewards of single fatherhood. Often funny, occationally poignant and always honest, To M*A*S*H and Back is an account you will long remember.
The script to the Tony winning music featuring a book by Larry Gelbart, music by Cy Coleman, and lyrics by David Zippel. The book also includes an introduction by Larry Gelbart, illustrations by Al Hirschfeld, production photographs, and original costume designs. Hardcover.
This political comedy from acclaimed film, theatre, and television
legend Larry Gelbart examines the long-term consequences of the
Bush-era White House through an imaginary hearing investigating the
abrogation of human rights under the Bush regime.
Comedy Characters: 3 male, 1 female This play was the recipient of the Selma Melvoin Playwriting Award, given by Northlight Theatre in Chicago, IL. As Better Late opens, Julian (Nussbaum) is forced to move in with his ex-wife and her new husband in order to recuperate from a sudden illness. With each passing day, the awkward situation spirals further and further out of control. As the laughter builds, the question becomes: how long will Julian have to stay? This bitingly funny December-December-December romance is a not-to-be-missed new comedy. "Better Late is part a damn-it-all, Mel Brooks-like feast of sardonic one-liners in denial, and part a sad and caustic plea for marital compassionthat could have been penned by an octogenarian Woody Allen, guiltily regretting one of his failed relationships." - Chicago Tribune. "A breezy entertainment on serious themes, Larry Gelbart's Better Late explores love, divorce, aging and death with a mature sensibility and a decidedly mainstream comedic tone...always diverting and admirably unsentimental." - Variety
Prepare yourselves, M*A*S*H fans, for the most comprehensive book on the show ever written. Written by fans and for fans, this book covers material never covered in previous books. Aside from an astounding amount of researched info for nearly every episode of the series, this book covers every aspect of the show from the opening theme to the production codes, including a season by season analysis. But even more importantly, there is fresh commentary from over 45 MASH alumni who were contacted just for this book with never-before published experiences and anecdotes.With a foreword and all new M*A*S*H dialogue by Larry Gelbart, a "History of MASH" with commentary by William Self and even more interviews and commentary from most major players, the original producers, writers, directors, guest stars, a technical adviser for William Christopher's character and even a stunt man, we think you'll find this to be "The B*E*S*T Book Anywhere"!!
(Applause Libretto Library). The libretto to the Tony winning musical featuring a book by Larry Gelbart, music by Cy Coleman, and lyrics by David Zippel. The book also includes an introduction by Larry Gelbart, illustrations by Al Hirschfeld, production photographs, and original costume designs.
(Applause Books). The complete scripts to two of Larry Gelbart's most popular and powerful political satires. Review of Mastergate: "If George Orwell were a gag writer, he could have written Mastergate. Larry Gelbart's scathingly funny takeoff on the Iran-Contra hearings is a spiky cactus flower in the desert of American political theatre." Jack Kroll, Newsweek . Review of Power Failure: "There is in his broad etching all the ethical outrage of an Arthur Miller kvetching. And, oh, so much more fun " Carolyn Clay, The Boston Phoenix .
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